There is no place on Earth tied more firmly to a filmmaker than Fårö is to Ingmar Bergman. One cannot venture through the small island without being reminded of him at every turn: The rugged, ominous seascape that lurks in the background of Persona (1966); the carcass of a farmhouse that was burned down during the filming of Shame (1968); the seafront estate that the director called home for 40 years. And, of course, there’s the house where Scenes from a Marriage (1973), Bergman’s wildly popular and subversive marital drama, was filmed. That’s where Chris (Vicky Krieps) and Tony (Tim Roth) plant themselves at the start of Mia Hansen-Løve’s Bergman Island. The couple, both writers and directors, are participating in an artist’s retreat to see if being in the shadow of the Swedish filmmaking giant will help get their creative juices flowing. What begins as a straightforward story of two artists creating different projects ultimately turns into Hansen-Løve’s strongest argument for the inextricable nature of life and art yet.
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