There’s no hiding from it: We are currently living in the era of mass serial killer content. From Ryan Murphy’s controversial new deep-diveinto the life and deaths of Jeffrey Dahmer to the macabre, Netflix-produced Ted Bundy Tapes, it seems that a new psychopath-centered show is entering the zeitgeist every second, and that all it takes for a title to sky-rocket to most-watched on any streaming service is the Holy Grail that is the true crime tag.
But not everyone is happy with this trend. True crime naysayers often accuse true crime bingers and creators of exploiting real-life pain and suffering for entertainment. And while it would be naive to deny that these films and TV shows are constructed with the intention of being uniquely captivating and bingeable (those cliffhangers don’t appear out of thin air!), it’s myopic to suggest that audiences are drawn to serial killers solely for amusement’s sake.
Read more in Consequence.
Come this Sunday, the 94th annual Academy Awards will deliver a whole lot of happy memories for a select few, alongside some disappointments. It’s the nature of awards season, that for there to be winners there must also be losers — but some losses sting more than others, even from the sidelines.
Thus, Consequence is looking back at the most egregious snubs to occur at the Oscars over the course of the 21st century — instances where the right winner somehow still missed out on the top prize. Rather than spotlight the many, many times a deserving film or performance or other facet of production was overlooked entirely for a nomination, we’re focusing in on the times when the right choice was right there, and it just didn’t work out, and we’re still mad about it.
Read more at Consequence.
On Tuesday, the Netflix Twitter account teased that something special was coming from David Fincher this week. And the bad news is we still probably aren’t getting a new season of Mindhunter anytime soon, (or Mank 2, for those of you who for some reason want that). But the good news is that David Fincher is officially back in the producing chair, with a new docuseries called Voir premiering at AFI Fest on November 13, and Netflix soon after.
Read more here...
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